In 2008 Norman Perryman will celebrate fifty years of a passion for painting musical themes and musical celebrities (at least four hundred watercolours and oils and thousands of kinetic images for live performance with music). Probably more than any other known painter. |
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Norman Perryman combines the essential figurative appearance with abstract
textures, graphic rhythms and explosions of sound. His works become
more transparent and he turns to watercolour as an appropriate
medium to convey the illusion of movement and the transient nature
of music.
His painting is often a direct emotional response to the music,
recorded with his brush in a kind of automatism. His aim is to
help you hear the music in the painting.
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Yehudi Menuhin, opening
an exhibition of this work (Gstaad, 1972) described Perryman as
"a musician, who makes music with his brush". One can
see a direct connection between this work and Perryman's kinetic
performance-painting ( see Kinetic
Painting as Performance Art ).
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In
1993, BBC Television made the fifty-minute documentary 'Concerto
for Paintbrush and Orchestra', reviewing Perryman's life and work
with music through painting and highlighting the Birmingham Symphony
Hall Collection of Perryman's paintings on musical themes and of
celebrities in music. (see Limited
Edition Prints).
The
unveiling of 'Elgar's Dream' by
Lord Menuhin
Symphony Hall, Birmingham, England,
October 17th 1996
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